Cycle
Clémence de Grandval, an unconventional vicomtesse

Avant-garde mélodies

Camille Saint-Saëns and Clémence de Grandval embody two facets of 19th-century French Romantic music: refined, intimate and deeply connected to poetry. A concert devoted to the mélodie, bringing together voice and piano in a journey of discovery through an elegant and surprising repertoire.
Concert Mélodie Recital
© Marie-Sophie Leturcq / Charles Plumey-Faye
Camille Saint-Saëns and Clémence de Grandval were among the first artists involved in the work of the Société Nationale de Musique. Founded in the aftermath of France’s defeat in the Franco-Prussian War (1870–71), the organisation adopted the motto “Ars Gallica” (French Art): its aim was to promote French music, enabling French composers to venture down new paths without fearing criticism from the press or public. Mélodies played an important part in the experimentation encouraged by the SNM: while conveying the expressiveness of the text, the music explored increasingly subtle harmonies.

Concert followed by a cocktail.

Dates

Thu 15 October 2026
19.30
Palazzetto Bru Zane, Venice

Performers

Clémence Tilquin soprano
Emmanuel Olivier piano

Programme

Clémence de GRANDVAL
Dix Mélodies
1. Scrupule
2. Chanson d’exil
3. À la bien-aimée
4. En automne
5. La Chute des étoiles
6. Les Trois Oiseaux
7. Fadaise
8. Pensée d’amour
9. Chanson de la coquille
10. Viens-tu pas, ma belle ?

Six poésies de Sully Prudhomme mises en musique par Clémence de Grandval
Au bord de l’eau
Le Vase brisé
À l’hirondelle
Prière
Soupir
Le Galop


Camille SAINT-SAËNS
Maria Lucrezia
Souvenances
L’Enlèvement
La Mort d’Ophélie

You might also be interested

Bru Zane Mediabase
Digital resources for French Romantic music
The website hosts articles on people, works and topics authored by musicologists and historians collaborating with Palazzetto Bru Zane.