Cycle
Clémence de Grandval, an unconventional vicomtesse
Beetween friends
Two friends, two composers, a remarkable musical connection: Clémence de Grandval and Camille Saint-Saëns come together through their Trios for violin, cello and piano. The Trio Pantoum reveals their shared aesthetic affinities and the subtle artistic bond between them.
Concert
Chamber Music
© Clément Pimenta
After marrying the Vicomte de Grandval in 1851, Clémence de Reiset continued to pursue her musical activities. Indeed, she decided to take them even more seriously, building on her initial training by taking composition lessons from Camille Saint-Saëns, a young prodigy seven years her junior who was just sixteen years old at the time. The two artists remained close until Clémence’s death in 1907, as evidenced by their extensive correspondence, which reveals the mutual support and advice they offered each other. Trio Pantoum performs a piano trio by each of these composers – Grandval’s No. 2 of 1854, and No. 2, Op. 92, of 1892, by Saint-Saëns – thus enabling us to appreciate the aesthetic similarities between the works of these two friends.
Dates
Performers
TRIO PANTOUM
Hugo Meder violin
Bo-Geun Park cello
Martin Jollet piano
Hugo Meder violin
Bo-Geun Park cello
Martin Jollet piano
Programme
Clémence de GRANDVAL
Trio avec piano n°2
Andante et Intermezzo pour violon, violoncelle et piano
Camille SAINT-SAËNS
Trio avec piano n°2
Trio avec piano n°2
Andante et Intermezzo pour violon, violoncelle et piano
Camille SAINT-SAËNS
Trio avec piano n°2




