Cycle
Clémence de Grandval, an unconventional vicomtesse
At the Grandval salon
Parisian salons were a true springboard for musicians and composers: it was here that Clémence de Grandval and Reynaldo Hahn presented their works and found their first supporters. A concert exploring the music born in these privileged spaces of encounter, listening and artistic recognition.
Concert
Chamber Music
© Grégory Favre / Natacha Colmez
Born into the aristocracy, Clémence de Grandval first made a name for herself in the Parisian salons, which attracted high society and the intellectual elite. A singer and pianist, she would perform her own compositions at these gatherings, including her mélodies and piano pieces, as well as works such as her Violin Sonata, Op. 8, premiered at the home of Achille Gouffé in spring 1852. She was also able to capitalise on the reputation of her parents’ stately home. Although we tend to associate the salons with the Ancien Régime, they continued to flourish until the early twentieth century. Reynaldo Hahn followed a similar path to Clémence de Grandval: his success in the salons subsequently gained him access to the opera stage.
Concert followed by a cocktail.
Concert followed by a cocktail.
Dates
Performers
Raphaëlle Moreau violin
David Kadouch piano
David Kadouch piano
Programme
Clémence de GRANDVAL
Deux Pièces pour violon et piano
Sonate pour violon et piano
Reynaldo HAHN
Sonate pour violon et piano
Deux Pièces pour violon et piano
Sonate pour violon et piano
Reynaldo HAHN
Sonate pour violon et piano




