Cycle
Clémence de Grandval, an unconventional vicomtesse
French flute
In the 19th century, the flute was considered unsuitable for women and, at French conservatories, was studied exclusively by men. Yet many women composers wrote for the instrument, giving rise to an original repertoire that remains largely undiscovered.
Concert
Chamber Music
© Franck Juery / Titouan Massé
It was not until the twentieth century that women started to take up the transverse flute. During the Romantic period, it was considered inappropriate for women to play brass and woodwind instruments, and French music schools only taught men in their flute classes. Nevertheless, it is worth noting that women composers wrote extensively for the instrument, as can be seen from the pieces featured in this concert. One possible explanation for this paradox is that by venturing into a musical field largely neglected by their male counterparts, these women achieved greater dissemination of their work.
Concert recorded for Bru Zane Replay
Concert recorded for Bru Zane Replay
Dates
Performers
Iris Daverio flute
Jean-Paul Gasparian piano
Jean-Paul Gasparian piano
Programme
Clémence de GRANDVAL
Suite pour flûte et piano
Augusta HOLMÈS
Trois Petites Pièces pour flûte et piano
Hedwige CHRÉTIEN
Romance pour flûte et piano
Mel BONIS
Sonate pour flûte et piano
Suite pour flûte et piano
Augusta HOLMÈS
Trois Petites Pièces pour flûte et piano
Hedwige CHRÉTIEN
Romance pour flûte et piano
Mel BONIS
Sonate pour flûte et piano




