Cycle
Clémence de Grandval, an unconventional vicomtesse

French flute

In the 19th century, the flute was considered unsuitable for women and, at French conservatories, was studied exclusively by men. Yet many women composers wrote for the instrument, giving rise to an original repertoire that remains largely undiscovered.
Concert Chamber Music
© Franck Juery / Titouan Massé
It was not until the twentieth century that women started to take up the transverse flute. During the Romantic period, it was considered inappropriate for women to play brass and woodwind instruments, and French music schools only taught men in their flute classes. Nevertheless, it is worth noting that women composers wrote extensively for the instrument, as can be seen from the pieces featured in this concert. One possible explanation for this paradox is that by venturing into a musical field largely neglected by their male counterparts, these women achieved greater dissemination of their work.

Concert recorded for Bru Zane Replay

Dates

Tue 27 October 2026
19.30
Palazzetto Bru Zane, Venice

Performers

Iris Daverio flute
Jean-Paul Gasparian piano

Programme

Clémence de GRANDVAL
Suite pour flûte et piano

Augusta HOLMÈS
Trois Petites Pièces pour flûte et piano

Hedwige CHRÉTIEN
Romance pour flûte et piano

Mel BONIS
Sonate pour flûte et piano

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Bru Zane Mediabase
Digital resources for French Romantic music
The website hosts articles on people, works and topics authored by musicologists and historians collaborating with Palazzetto Bru Zane.