Cycle Cello, the soul of romanticism

Cellos together

Chamber Music
© Amandine Lauriol / William Beaucardet / DR / Anna-Margret Noorhani
Initially connected with teaching practices and the need to provide pieces for cellists in the same class to play together (the ones composed by Jacques Offenbach or Auguste Franchomme), the corpus of scores for cello ensemble expanded somewhat at the turn of the twentieth century and left the confines of the music schools. Such pieces were not composed by teachers or virtuosos of the instrument, but by artists seeking to create new sounds by the use of rare or novel instrumental combinations. The exploration of this lesser-known repertoire takes us into uncharted territory, with the works, for example, of Marie-Joseph Erb (1858-1944) and Hélène-Frédérique de Faye-Jozin (1871-1942).

Dates

Sun 22 September 2024
17.00
Palazzetto Bru Zane, Venice

Performers

Anne Gastinel, Xavier Phillips, Lila Beauchard and Leonardo Capezzali cellos

Programme

Marie-Joseph ERB
Trois Pièces pour quatre violoncelles, op. 63

Jacques OFFENBACH
Cours méthodiques de duos pour deux violoncelles, op. 51 (extraits)

Auguste FRANCHOMME
Trois Préludes de Frédéric Chopin transcrits pour quatre violoncelles

Hélène-Frédérique de FAYE-JOZIN
Suite sylvestre pour quatre violoncelles (extraits)

Florent SCHMITT
Andante religioso pour quatre violoncelles

Jacques OFFENBACH
Quatuor pour quatre violoncelles

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