Fauré and his pupils

The flute put to the test

Chamber Music
During the Belle Époque, the repertoire for accompanied flute was enriched essentially by two means: by the composition of flute sonatas and by the provision of contest pieces (morceaux de concours) for the Paris Conservatoire. The piano sometimes featured so prominently in the former that the work could be regarded as a duo: Charles Koechlin’s Sonate pour piano et flûte is a case in point. The works belonging to the other category, however – illustrated here by Fauré’s Fantaisie (1898) and Enesco’s Cantabile et Presto (1904) – were of course intended to test the flautist’s abilities, so the piano had to remain somewhat in the background, although musicality was an obligatory feature of such pieces.


Fri 19 April 2024
Palazzetto Bru Zane, Venice


Alexis Kossenko flute
Vassilis Varvaresos piano


Georges ENESCO
Cantabile et Presto pour flûte et piano

Eugène COOLS
Sonate pour flûte et piano

Les Chants de Nectaire,
Trois cycles de pièces pour flûte seule (extraits)
XXX. Les oiseaux sont ivres XV. Lumière – Modération – Équilibre IX. Gaîté de la lumière

Andante pour flûte et piano

Gabriel FAURÉ
Fantaisie pour flûte et piano

Maurice RAVEL
La Valse (pour piano seul)

Sonate pour flûte et piano, op. 52 :
Adagio molto tranquillo – Allegretto – Final

Sicilienne et Burlesque pour flûte et piano
Concert recorded for Bru Zane Replay
Bru Zane Mediabase
Digital resources for French Romantic music
The website hosts articles on people, works and topics authored by musicologists and historians collaborating with Palazzetto Bru Zane.