In an effort to reappraise nineteenth-century French music, the Palazzetto Bru Zane is committed to reviving parts of the repertoire that are not commonly known to today\u2019s audiences. Not only works by well-known figures, but also the complete output of some composers, have fallen into oblivion\u00a0\u2013 for reasons that are not always easy to understand. Is it a question of disregard for the French Romantic aesthetic, inherited from the twentieth century? Is it a result of the fact that music history has focused more on the careers of the great composers than on the artistic reality of their time? Or is it because the scores needed to perform these works prove hard to come by? Since its foundation in 2009, the Centre de musique romantique fran\u00e7aise has been confronted with these questions and has come to the conclusion that there is no single, simple answer. The two cycles presented this season show the various ways in which French productions of that time have been marginalised.<\/p>","protected":false},"excerpt":{"rendered":"
In an effort to reappraise nineteenth-century French music, the Palazzetto Bru Zane is committed to reviving parts of the repertoire that are not commonly known to today\u2019s audiences. Not only works by well-known figures, but also the complete output of some composers, have fallen into oblivion\u00a0\u2013 for reasons that are not always easy to understand. […]<\/p>\n","protected":false},"author":4,"featured_media":8023,"parent":703,"menu_order":100,"comment_status":"closed","ping_status":"closed","template":"template\/page-stagione.php","meta":{"footnotes":""},"class_list":["post-7959","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n