Touring production

Nuits

Arias, mélodies and instrumental pieces by Saint-Saëns, Ropartz, Berlioz, Chausson, Messager, Fauré, etc.
Concert Mélodie Recital
As the symbiosis between the art of the poet and that of the composer, the French mélodie became the jewel in the crown of the music of the ‘Belle Époque’ in all the Parisian salons between 1870 and 1914. Moreover, the genre also turned, little by little, towards the concert hall, and decked itself in the hues of the orchestra thanks to the skill of Duparc, Saint-Saëns and Debussy. But curiously enough, in the space between simple piano accompaniment and the vast symphony orchestra, only a few works availed themselves of the richness and variety offered by chamber forces. Three such pieces, Chausson’s Chanson perpétuelle, Lekeu’s Nocturne and Fauré’s cycle La Bonne Chanson, by placing a string quartet and a piano around the singer, combine the characteristics of the mélodie with those of the piano quintet, forming a whole whose tone colours fluctuate between intimacy and orchestral ambition. An isolated case in the history of music, these pioneering compositions have acquired a fame still undimmed today. The programme proposed by the Palazzetto Bru Zane, in close collaboration with Véronique Gens, experiments with the idea of applying the principle of transcription to her favourite repertoire. Alongside the three works mentioned above, music by celebrated composers mingles with unknown pieces to retrace a succession of emotional states within a nocturnal ambience: recollection, tranquillity, dreams, terror.
Hardelot Lisieux Paris Lille Saint-Etienne Gand Caen Bordeaux Lyon Bruxelles Reims

Programme

Crépuscule. Nuit d’amour
Gabriel FAURÉ: Quintette avec piano n° 1 (I. Molto Moderato)
Guillaume LEKEU: Nocturne
Gabriel FAURÉ: La Lune blanche luit dans les bois  (La Bonne Chanson – n° 3)

Rêve. Nuit d’ailleurs
Fernand DE LA TOMBELLE: Orientale
Hector BERLIOZ: L’Île inconnue (Les Nuits d’été – n° 6)
Jules MASSENET: Nuit d’Espagne
Camille SAINT-SAËNS: Désir de l’Orient

ENTRACTE

Cauchemar. Nuit d’angoisse
Ernest CHAUSSON: Chanson perpétuelle
Guy ROPARTZ: Ceux qui parmi les morts d'amour (Quatre Poèmes – n° 3)

L’Aube. Nuit de fête
Charles-Marie WIDOR: Quintette avec piano n° 1 op. 7 (III. Molto Vivace)
Marcel LOUIGUY: La Vie en rose
André MESSAGER: J’ai deux amants (tiré de L’Amour masqué)
Reynaldo HAHN: La Dernière Valse (tiré de Une revue)

DURATION: 1:30 interval included

Dates

Fri 2 July 2021
20.30
Midsummer Festival, Hardelot
Wed 4 August 2021
21.00
Théâtre Lisieux Normandie, Lisieux
Tue 14 September 2021
19.00
Théâtre du Châtelet, Paris
Mon 15 November 2021
20.00
Opéra de Lille, Lille
Thu 25 November 2021
20.00
Opéra de Saint-Étienne, Saint-Etienne
Sat 27 November 2021
20.00
De Bijloke, Gand
Sun 5 December 2021
15.30
Théâtre de Caen, Caen
Wed 26 January 2022
20.00
Opéra National de Bordeaux, Bordeaux
Sat 4 June 2022
18.00
Auditorium de Lyon, Lyon
Fri 17 June 2022
20.00
Théâtre Royal de la Monnaie, Bruxelles
Fri 24 June 2022
Les Flâneries Musicales, Reims

Performers

Véronique Gens soprano
I GIARDINI
Guillaume Chilemme, Shuichi Okada, Hélène Maréchaux* violins
Léa Hennino viola
Pauline Buet cello
David Violi piano
*variable cast
Production Bru Zane France
Scores published by the Palazzetto Bru Zane