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Musical life in the French Casinos (19th-21st Centuries)
Symposium
Online
Free online conference, in French | on registration
From the mid-19th century onwards, the fashion for sea-bathing and spa treatments had a positive impact on the artistic activity of small and medium-sized towns. Tourists and visitors who came to take the waters, a long way from their circle of acquaintances, sought ways to fill their considerable free time during their stay. The resorts, vying to come up with ingenious ways to attract as many people as possible, swiftly built new temples to seasonal pursuits: the casinos. People not only visited these venues to gamble, but also to partake of the other activities on offer, particularly concerts, shows, and even operas. The significance of these music venues, which has hitherto been somewhat overlooked, is long overdue for study.
From the mid-19th century onwards, the fashion for sea-bathing and spa treatments had a positive impact on the artistic activity of small and medium-sized towns. Tourists and visitors who came to take the waters, a long way from their circle of acquaintances, sought ways to fill their considerable free time during their stay. The resorts, vying to come up with ingenious ways to attract as many people as possible, swiftly built new temples to seasonal pursuits: the casinos. People not only visited these venues to gamble, but also to partake of the other activities on offer, particularly concerts, shows, and even operas. The significance of these music venues, which has hitherto been somewhat overlooked, is long overdue for study.
Colloque présenté par :
Martin Guerpin, musicologue au laboratoire Recherches, arts, spectacle, musique (RASM CHCSC – Université Paris-Saclay, Univ. d’Évry)
Étienne Jardin, responsable scientifique des publications et colloques (Palazzetto Bru Zane)
Intervenants :
Gilles Demonet (Sorbonne Université, IReMus)
Chloé D’Arcy (École Pratique des Hautes Études, SAPRAT)
Florence Poudru (CNSM de Lyon)
Hélène Marquié (Université Paris 8)
Claire Paolacci (Philharmonie de Paris, Université Paris Diderot)
Arthur Macé (CNSM de Paris)
Guillemette Prévot (Université Paris I Panthéon Sorbonne, CHS)
Jann Pasler (University of California San Diego)
Marie-Claire Mussat (Université Rennes 2)
Denis Tchorek (Université François Rabelais, Tours)
Yannick Simon (Université Toulouse Jean-Jaurès, LLA-Créatis)
Jean-Sébastien Noël (Université de La Rochelle)
Christophe Pécout (Université de Rouen)
Jérôme Rossi (Université de Nantes)
Rémy Campos (CNSMdP, Haute École de Musique de Genève)
Martin Guerpin, musicologue au laboratoire Recherches, arts, spectacle, musique (RASM CHCSC – Université Paris-Saclay, Univ. d’Évry)
Étienne Jardin, responsable scientifique des publications et colloques (Palazzetto Bru Zane)
Intervenants :
Gilles Demonet (Sorbonne Université, IReMus)
Chloé D’Arcy (École Pratique des Hautes Études, SAPRAT)
Florence Poudru (CNSM de Lyon)
Hélène Marquié (Université Paris 8)
Claire Paolacci (Philharmonie de Paris, Université Paris Diderot)
Arthur Macé (CNSM de Paris)
Guillemette Prévot (Université Paris I Panthéon Sorbonne, CHS)
Jann Pasler (University of California San Diego)
Marie-Claire Mussat (Université Rennes 2)
Denis Tchorek (Université François Rabelais, Tours)
Yannick Simon (Université Toulouse Jean-Jaurès, LLA-Créatis)
Jean-Sébastien Noël (Université de La Rochelle)
Christophe Pécout (Université de Rouen)
Jérôme Rossi (Université de Nantes)
Rémy Campos (CNSMdP, Haute École de Musique de Genève)
In partenariato con l’Università Paris-Saclay, Évry-Val d’Essonne