Torna indietro 
webradio
replay
Throughout the nineteenth century, it was difficult for women composers to have access to the stage: Louise Bertin’s Fausto (Théâtre-Italien, 1831) and Clémence de Grandval’s Mazeppa (1892, Opéra de Bordeaux) are exceptions. As for Pauline Viardot, she approached the genre with a chamber opera, Le Dernier Sorcier (1867).
Dates
Performers
ORCHESTRE NATIONAL AVIGNON-PROVENCE
Débora Waldman conductor
Karine Deshayes mezzo-soprano
Delphine Haidan mezzo-soprano
Débora Waldman conductor
Karine Deshayes mezzo-soprano
Delphine Haidan mezzo-soprano
Programme
Scenes from operas by VIARDOT, GLUCK, BERTIN, BERLIOZ, ROSSINI, BELLINI and GRANDVAL
Production Orchestre national Avignon-Provence (12/10/2022)
Co-production Orchestre national Avignon-Provence / Philharmonie de Paris (14/10/2022)
In collaboration with the Palazzetto Bru Zane
Co-production Orchestre national Avignon-Provence / Philharmonie de Paris (14/10/2022)
In collaboration with the Palazzetto Bru Zane
